"It's Beginning To Look A Lot Like Christmas" Takes Top Spot On 2019 ASCAP Holiday Songs Chart

George Michael's "Last Christmas" Reignites Hollywood's Classic Love Affair with Holiday Music in New Film

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Dec 04, 2019, 10:02 ET

NEW YORK, Dec. 4, 2019 /PRNewswire/ -- It is once again the most wonderful time of year, and our favorite seasonal songs are filling our minds with twinkling lights, steaming hot chocolate and winter wonderlands. To celebrate the season, The American Society of Composers, Authors and Publishers (ASCAP), a professional membership organization of songwriters, composers and music publishers, announces the Top 25 ASCAP Holiday Songs of 2019 – the perfect soundtrack for the holidays.

According to an ASCAP analysis of streaming and terrestrial radio data, "It's Beginning to Look a Lot Like Christmas" (written by Meredith Willson) hits #1 on this year's chart. Notably, "Last Christmas" by George Michael soars into the top 5 ASCAP holiday songs following the recent release of the film Last Christmas, a heart-warming interpretation of the song on the big screen.

However, the movie is not the first time Tinseltown has turned to a seasonal standard for inspiration — Hollywood's love affair with holiday music has been turning hit songs into holiday classics for decades.

"It's Beginning to Look a Lot Like Christmas," along with the fireside favorites "Rockin' Around the Christmas Tree" (#4, Johnny Marks) and "Jingle Bell Rock" (#9, Joseph Carleton Beal, James Ross Boothe) — all immediate successes upon their original release in the 1950s — cemented their holiday classic status with a new generation after placements in the explosively popular Home Alone franchise after its 1990 debut.

Bing Crosby's "White Christmas" (#14, Irving Berlin) skyrocketed to the top of the charts after its initial 1942 release as part of the Holiday Inn soundtrack, and gained so much traction on its own that Hollywood decided to capitalize on the song again in 1954 with the film White Christmas. Even Mariah Carey, whose hit song "All I Want for Christmas Is You" (#3, co-written by Carey and Walter Afanasieff) celebrates its 25th anniversary this year, turned the holiday anthem into an animated film in 2017.

Two other familiar tunes on the ASCAP holiday chart, "A Holly Jolly Christmas" (#2, Johnny Marks) and "Have Yourself a Merry Little Christmas" (#12, Ralph Blane, Hugh Martin), first stole audiences' hearts after being featured in the popular holiday TV special Rudolph the Red-Nosed Reindeer (1964) and the musical film Meet Me in St. Louis (1944), respectively. And this year, popular standards including "Jingle Bells" (#21, James Lord Pierpont, Gordon Jenkins) and "Let It Snow, Let It Snow, Let It Snow" (#11, Sammy Cahn, Jule Styne) have been reimagined for the first time as vibrantly animated music videos by UMe.

The most recently penned song to make the chart is "Underneath the Tree," written by Kelly Clarkson and Gregory Kurstin in 2013.

"Holiday music enchants. It inspires. It passes down traditions and stories through the generations. There's no denying the transporting power, even magic, of a holiday classic," said Paul Williams, ASCAP Chairman of the Board and President and beloved holiday composer of Jim Henson's 1977 TV special Emmet Otter's Jug-Band Christmas.

Below are the top 25 most played ASCAP holiday songs* of 2019, all written or co-written by ASCAP songwriters and composers. Each song lists ASCAP songwriter credits and copyright date.

ASCAP Top 25 Holiday Songs of 2019

"It's Beginning to Look a Lot Like Christmas" by Meredith Willson (1951)
"A Holly Jolly Christmas" by Johnny Marks (1962)
"All I Want For Christmas Is You" by Walter Afanasieff (1994)
"Rockin' Around the Christmas Tree" by Johnny Marks (1958)
"Last Christmas" by George Michael (1984)
"Sleigh Ride" by Leroy Anderson and Mitchell Parish (1948)
"Rudolph the Red-Nosed Reindeer" by Johnny Marks (1949)
"It's the Most Wonderful Time of The Year" by Edward Pola and George Wyle (1963)
"Jingle Bell Rock" by Joseph Carleton Beal and James Ross Boothe (1958)
"Santa Claus Is Comin' to Town" by Fred Coots and Haven Gillespie (1934)
"Let It Snow, Let It Snow, Let It Snow" by Sammy Cahn and Jule Styne (1945)
"Have Yourself a Merry Little Christmas" by Ralph Blane and Hugh Martin (1944)
"Winter Wonderland" by Felix Bernard and Richard B. Smith (1934)
"White Christmas" by Irving Berlin (1941)
"The Christmas Song" by Mel Torme and Robert Wells (1946)
"Here Comes Santa Claus (Down Santa Claus Lane)" by Oakley Haldeman and Gene Autry (1947)
"Home for the Holidays" by Robert Allen and Al Stillman (1954)
"Baby It's Cold Outside" by Frank Loesser (1944)
"Frosty the Snowman" by Steve Nelson and Walter E. Rollins (1950)
"Feliz Navidad" by Jose Feliciano (1970)
"Jingle Bells" by James Lord Pierpont; Frank Sinatra version arranged by Gordon Jenkins (ASCAP, 1958)
"Santa Baby" by Joan Javits, Anthony Springer and Philip Springer (1953)
"Underneath the Tree" by Kelly Clarkson and Gregory Kurstin (2013)
"I'll Be Home for Christmas" by Kim Gannon, Walter Ken and Buck Ram (1943)
"Blue Christmas" by Billy Hayes and Jay Johnson (1949)

* Based on an analysis of Nielsen streaming and terrestrial radio data from August 2, 2019 to November 21, 2019.

About ASCAP
The American Society of Composers, Authors and Publishers (ASCAP) is a professional membership organization of songwriters, composers and music publishers of every kind of music. ASCAP's mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works and to distribute the royalties that it collects based upon those performances. ASCAP members write the world's best-loved music and ASCAP has pioneered the efficient licensing of that music to hundreds of thousands of enterprises who use it to add value to their business - from bars, restaurants and retail, to radio, TV and cable, to Internet, mobile services and more. The ASCAP license offers an efficient solution for businesses to legally perform ASCAP music while respecting the right of songwriters and composers to be paid fairly. With more than 725,000 members representing more than 11.5 million copyrighted works, ASCAP is the worldwide leader in performance royalties, service and advocacy for songwriters and composers, and the only American performing rights organization (PRO) owned and governed by its writer and publisher members. Learn more and stay in touch at www.ascap.com, on Twitter and Instagram @ASCAP and on Facebook.

SOURCE ASCAP